George booth cartoonist biography template word

He was always smiling. Always giggling to himself about something, in his thick southern drawl. He was a joy to be around. I would watch him pore through his large pile of papers, sifting through the order to see which ones he was going to show to the cartoon editor that day. He was as funny as he was prolific. Cartoons just fell out of him at such a rate that his small apartment in Brooklyn was always piled high with papers.

Biography.

When you walk into the New Yorker now, there is a giant screen depicting one of his many dog cartoons. He could depict so much emotion and energy with something as simple as a ball-point pen. His line was wobbly as hell, but eerily precise. He had the ability to distill so much story in just one image, and none of it was there by accident. Whatever that magical thing is that some cartoonists are born with, he had it —then he honed it for his entire life until he was one of the most brilliant cartoonists to have put ink to paper.

I remember a great story Matt Diffee told about his first meeting with George Booth after having won a cartoon competition at the New Yorker. You can watch it here:. One of his many New Yorker covers stands as one of my all-time favourites below. David Remnick, our editor, was way ahead of me on this, so there were no traditional cartoons in the issue.